The title of the work translates as ‘language of the river’. Drawing connections between the land, Sakha language and practice of social relations with animate and inanimate beings, the work evokes the inseparability of the environment from both one’s consciousness and body.Seeking a practice of reworlding, artist reclaims animistic cosmologies of previous generations at the same time bringing to attention the former script of the culture.

The video work uses historical references to the former Sakha writing system, with imagery borrowed from a 1919 primary school textbook. The script was used only for a short time in the early 20th century; in 1939 the Soviet Union unified more than 100 languages spoken across the country, officially transferring each to the Cyrillic alphabet. In 2002 the Russian parliament passed a law requiring all official languages within the Russian Federation to use the Cyrillic alphabet.

Credits:

Voices: Maria Savvina, Venzel Vera
Sound design: Karina Kazaryan aka KP Transmission

Commisioned by Undead Matter, as part of the Deep Ecologies programme

Video, stereo sound, 2022.